For the 2024 edition of Art Basel Paris, which took place from October 18th to October 20th, Louis Vuitton celebrated Frank Gehry and his incredible works. They displayed his massive white fish lamp and other creations inside the Grand Palais. Frank Gehry and Louis Vuitton have collaborated for over 20 years together. Gehry was the brains of the architectural wonder, the Maison Louis Vuitton Seoul, which showcases a stunning glass-covered exterior and fluid lines. Gehry also made a collection of stoppers for the Les Extraits perfume bottles in 2021, and in 2023, Vuitton displayed Gehry’s debut collection of handbags at Art Basel Miami. So it is no surprise, that the brand decided to embellish the Balcon d’Honneur with his lighting design. A wooden arch that Gehry displayed at Gagosian New York is placed around the monumental fish lamp. The arc is built from slats placed in geometric patterns.

Designer: Louis Vuitton x Frank Gehry

The white fish lamp isn’t the only work by Gehry that has been displayed. The lamp is teamed up with many of his collaborations with Louis Vuitton, including the aforementioned handbag range from Art Basel Miami. These beautiful bags are protected by glass, giving visitors a clear and concise vision of them. The bags draw inspiration from the architect’s style and design philosophy, which is marked by flowing lines and ballooned shapes.

The Capucines Mini Blossom and Mini Puzzle bag have been displayed, and other bags such as the Capucines MM Concrete Pockets BB Analog, and BB Shimmer Haze – bags that are inspired by architecture he has designed such as the Guggenheim Museum in Bilbao, Spain, the Walt Disney Concert Hall in Los Angeles, the IAC Building in New York City, and the Museum of Pop Culture in Seattle.

Louis Vuitton’s Monogram canvas trunk is iconic, and Frank Gehry designed his version of it in 2014. The collection is called the Celebrating Monogram, and it was unveiled for the Maison’s 160th anniversary. The trunk is called the Twisted Box, and it truly does have a twist, it almost looks kind of deformed, yet appealing. Visitors will get an opportunity to glimpse this unique and iconic trunk design as well.

The post Louis Vuitton Celebrates Their 20 Year Collaboration With Frank Gehry At Art Basel Paris 2024 first appeared on Yanko Design.

The Ventete aH-1 Cycle Helmet, awarded the prestigious Luminary Winner title at this year’s Red Dot Award: Design Concept, is an innovative take on personal safety for urban cyclists. At a time when cities are embracing cycling as a sustainable and efficient mode of transport, the aH-1 helmet emerges as a design-forward solution, combining portability, comfort, and protection in a way that challenges traditional helmet conventions.

What sets the aH-1 apart is its pneumatic design—a notable departure from the foam helmets that have dominated the market for over five decades. Instead of bulky, rigid foam, Ventete utilizes an inflatable air chamber system that collapses to a thickness of just 3.5 cm when deflated. This compact form allows the helmet to fit easily into a bag or even a large pocket, addressing a key pain point for cyclists who often struggle with where to store their helmets off the bike. When it’s time to ride, a small USB-C pump inflates the helmet in under 30 seconds, providing a quick and convenient transition from portability to protection.

Designer: Ventete Limited

Click here to view more Award-winning designs from the Red Dot Award: Design Concept

Beyond the obvious convenience, this inflatable structure offers functional advantages. Ventete has engineered the aH-1 with a chambered design that significantly improves airflow around the rider’s head. Traditional foam helmets trap heat, often making them uncomfortable during longer rides or in warm weather. By contrast, the air-filled design of the aH-1 promotes natural ventilation, keeping the rider’s head cool. Testing conducted by the Swiss Federal Lab for Material Science (EMPA) confirmed that the helmet’s cooling performance matches that of riding bareheaded, a remarkable feat for a safety device.

While inflatable, the helmet is far from fragile or ineffective. It is fully certified to CE/UKCA standards (EN1078), meaning it meets stringent European and UK safety requirements. Extensive research at Imperial College London’s HeadLab revealed that the aH-1 offers superior protection, particularly against rotational impacts—a leading cause of brain injuries in cycling accidents. With over 15 global patents protecting its design, the aH-1 is a product of nearly a decade of research and development, marrying innovation with practical safety.

The design process, led by Ventete’s team of architects and engineers, was guided by a philosophy that integrates functionality with minimalism. The helmet’s understated aesthetic reflects a growing trend in urban mobility design, where products are expected to seamlessly fit into the user’s lifestyle. Its compact and foldable nature speaks to a more flexible, spontaneous approach to transportation. Produced in Switzerland, the aH-1 also embodies the precision and craftsmanship for which the country is known, ensuring that the helmet is as durable as it is stylish.

The aH-1’s innovative design aligns with the broader cultural shift towards sustainability and urban mobility. As more cities promote cycling as a key component of their transport infrastructure, there is an increasing demand for gear that is not only safe and functional but also adaptable to the fast-paced, space-conscious lives of urban dwellers. By addressing the limitations of traditional helmets, the aH-1 positions itself as a forward-thinking solution for the modern cyclist.

Click here to view more Award-winning designs from the Red Dot Award: Design Concept

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Innovation isn’t just a buzzword; it’s the lens through which we envision the world of tomorrow. At Yanko Design, we’re endlessly inspired by concepts that serve as the bedrock for future advancements in products, technologies, and experiences. This shared passion connects us deeply with the Red Dot Award: Design Concept, a celebration of visionary thinking that pushes boundaries.

The “Best of Best” selections this year unveil a tapestry of creativity that defies conventional limits. From avant-garde consumer electronics to trailblazing health innovations, these concepts exemplify a daring spirit combined with ingenuity. We find ourselves particularly enchanted by designs that redefine user experiences, showcasing the harmonious blend of art and practicality. In addition, Red Dot even unveiled two new awards – the Next Gen Award that highlights winning projects from creatives under the age of 30, and the Peter Zec Prize for the most convincing concept (which is also entitled to a cash reward of SGD $10,000)! “Design concepts are mental experiments and sometimes small things can make a big difference. The future depends on today’s creatives and their visions,” explains Professor Dr. Peter Zec, founder and CEO of Red Dot. “Therefore, it is important to support existing talents and empower them to fully flourish.”

Each year, the Red Dot Award: Design Concept ignites our imagination, spotlighting creations that embody collaboration and artistic precision. We’re excited to unveil our standout picks from this brilliant array. Dive in to discover the Luminary Award winner—an extraordinary vision brought to life!

Click here to view more Award-winning designs from the Red Dot Award: Design Concept

Red Dot Award: Design Concept 2024 Best of the Best Winners

Innovative Design of Products and Systems for Forest Fires by Jiangnan University

Jiangnan University’s project focuses on designing innovative systems and products for forest firefighting, especially in the face of increasing forest fire risks due to extreme weather. It emphasizes a modular and portable equipment system tailored for the challenging conditions of the Daxinganling area in Heilongjiang, China. This system integrates six key dimensions of firefighting operations: function division, information transfer, firefighting modes, mobility, resource mobilization, and emergency risk avoidance, making it ideal for professional forest firefighting teams.

The tailored equipment encompasses a range of advanced solutions for specific firefighting scenarios. This includes full-body protective gear with a multi-functional helmet featuring heads-up display (HUD), communication systems, nightlight, respirator, and environmental detectors. Additional features include an emergency fire cover, oxygen cylinder, coolant valve, vital signs monitoring, protective clothing, and a powered exoskeleton for better mobility and protection. The conceptual fire suppression module employs innovative foam agents for efficient fire extinguishing, while an off-road motorized sprayer enhances material deployment and firefighter maneuverability. Additionally, underground fire detection is facilitated by an unmanned aerial vehicle (UAV) and auxiliary robots, assisting in the critical task of residual fire clean-up. This project aims to optimize integration and control for improved firefighting efficiency, safety, and risk management, leveraging existing command systems to address the unique challenges faced by forest firefighters in this region.

Down-less Down Jacket by Droga5 Tokyo, Part of Accenture Song

In an industry often criticized for its environmental impact, the Down-Less Down Jacket bursts onto the scene as a symbol of sustainable style. Created by the innovative minds at Droga5 Tokyo, this jacket isn’t just eco-friendly—it’s a groundbreaking fusion of fashion and future-ready technology. As insanely gimmicky as this jacket looks with its inflated transparent design, it utilizes an innovative super-material that keeps you warm and insulated without a single down feather, thanks to its SOLAMENT material.

But what makes it truly remarkable? This transparent wonder absorbs sunlight’s near-infrared rays, transforming them into instant, cozy warmth that rivals traditional down jackets. No feathers, no fuss—just ingenious use of agricultural nets and packing materials. This approach doesn’t just cut down on resources; it flips the script on apparel manufacturing, demanding a rethink of what’s truly necessary. SOLAMENT technology doesn’t just change how we dress; it could revolutionize how we live. Its heat-shielding prowess allows it to let in light while blocking out heat, offering a zero-fossil-fuel approach to climate control in buildings and greenhouses. The Down-Less Down Jacket is more than an item of clothing; it’s a bold statement for a sustainable tomorrow and a harbinger of innovations that could reshape industries far and wide.

Future-X by HD Hyundai XiteSolution

Introducing Future-X by HD Hyundai XiteSolution—a groundbreaking leap in construction equipment design, crafted for tomorrow’s autonomous sites. This cabinless marvel part of Hyundai’s Future Builder vision emphasizes adaptability and efficiency. Equipped with a 4X4 crawler system, it smoothly navigates challenging terrains, while its auto-balancing counterweight dynamically adjusts to varied loads, ensuring seamless operation.

Safety and sustainability are seamlessly integrated into Future-X. Advanced technologies like radar, stereo vision cameras, AVM, and GNSS provide robust site safety, enhancing functionality. Wrapped in eco-conscious ‘Land Gold’ bio paint, it’s built using recycled and recyclable materials, including eco-rubber track shoes, reinforcing its sustainable ethos. Future-X represents more than just machinery; it’s a step towards a tech-driven, eco-friendly future in construction, showcasing HD Hyundai’s commitment to coupling cutting-edge innovation with environmental stewardship.

Dwo by Dogma Design

Meet Dwo, the versatile cooking appliance designed to optimize your kitchen space while meeting diverse culinary needs. With its dual-position functionality, Dwo transforms from a slim multi-cooker when kept standing to a spacious convection oven when laid on its back, adapting seamlessly to whatever you’re cooking. This innovative design saves countertop space when upright and expands to accommodate larger dishes when horizontal, fitting perfectly into any kitchen layout.

Dwo’s intelligent design includes convection trays and a double-door system, allowing you to switch between cooking modes effortlessly. In its upright position, it acts as a multi-layer oven and multi-cooker, perfect for preparing complete meals with minimal clutter. When additional capacity is needed, simply tilt Dwo horizontally to expand the cooking space without requiring extra appliances. Its advanced convection technology, featuring a triple fan and efficient heating system, ensures even and superior cooking results. The upright position also includes an additional heating surface for moisture-rich cooking, enhancing the flavor and texture of foods like rice or pasta. With user-friendly features like a single navigation knob, integrated side handles, and a front roller, Dwo promises not only performance but also ease of use.

i37 Dynamic Ring by Shenzhen Shangtang Design Consulting Co., Ltd.

The i37 Dynamic Ring is a sophisticated health wearable that offers a comprehensive suite of features to monitor your well-being. From sleep quality and luteal phase tracking to monitoring blood pressure trends and temperature changes, this ring covers all bases. It even tracks your calorie consumption and suggests personalized exercise routines, providing real-time feedback to help you make informed lifestyle decisions.

Advanced biosensing technologies, including photoplethysmography, heart rate sensors, and tri-axis accelerometers, ensure precise monitoring. Its Bluetooth connectivity seamlessly syncs data with your smartphone for in-depth health analysis. Users can easily pair the ring with the i37 Health App, activating a range of intuitive monitoring functions accessible to fitness beginners and enthusiasts alike. Designed with fashion in mind, the ring is crafted from premium silver and gold, combining style with functionality. Its sleek, waterproof, and dustproof design ensures it performs well in any environment, while the lightweight construction and ergonomic fit make it comfortable for all-day and night wear. The i37 Dynamic Ring is the perfect companion for health-conscious individuals who value both advanced technology and stylish design.

Impulse Cooktop by Blond

San Francisco start-up Impulse is setting a new standard in high-performance appliances and home energy solutions, starting with its battery-integrated induction cooktop. Designed to blend power, precision, and ease of installation, the Impulse Cooktop not only enhances kitchen performance but also leads the charge toward a more sustainable future. By integrating energy storage and leveraging renewable sources, Impulse is transforming how we approach home energy consumption, setting the stage for homes to transition to 100% electric energy with simple appliance upgrades.

The Impulse Cooktop stands out with its innovative design that echoes the beauty of deejaying equipment instead of looking like traditional kitchen appliances (courtesy Studio Blond). Its built-in batteries allow seamless use of both stored and grid energy, making it a high-performance and eco-friendly option. Installation is as simple as dropping it into a countertop and plugging it in, a marked difference from traditional electric or gas stoves. With raised burners that protect the cooktop’s screen and optimize space for the battery, the appliance is both practical and stylish. Its modular design simplifies repairs and future upgrades, while precision-milled, removable control knobs maintain a sleek glass surface that is easy to clean. The illuminated raised burners provide a functional aesthetic, indicating the power level through varying shades of red, adding both flair and functionality to your cooking experience.

Lifestyle Delivery Vehicle 190 by Canoo

Think delivery vehicles are mundane? Think again. Meet the Lifestyle Delivery Vehicle (LDV) 190, the Class 2 EV that’s rewriting the rules of the road. Sporting a compact, multi-purpose platform, this vehicle excels in cargo density, safety, and comfort, all while claiming the smallest footprint and longest range in its class. But here’s where it gets exciting: designed from the inside out, the LDV 190 doesn’t just carry boxes—it carries innovation. With a low floor and roomy cabin paired with steer-by-wire technology, it’s a breeze for drivers of all abilities to hop in and navigate.

The LDV 190 isn’t your average delivery van; it’s a mobile marvel of adaptability. Its patent-pending interchangeable rear cargo cartridge lets you tailor your setup, whether it’s barn doors that swing wide open at 270 degrees, sleek tambour doors, or a tailgate with a loading ramp. Inside, you’ll find a whopping 172 cubic feet of cargo space, plus more in the front if you opt for the single-seat configuration. And let’s talk about organization—shelving, storage bins, and a sliding cargo floor with a hefty 1000-lb capacity make loading and unloading a symphony of efficiency. The interior is lit up with LED brilliance, and optional composite translucent roof panels welcome natural light, creating a pleasant glow. With the LDV 190, it’s not just about getting from A to B—it’s about transforming the journey into something more sustainable, innovative, and human-centered.

U9 Flagship High-End Audio Engine TV by Hisense

Drawing inspiration from high-performance car engineering, the U9 Audio Engine TV features an audio system that echoes engine cone design for a truly robust sound experience. Its one-piece zero-bezel frame and 360-degree sound deliver a carefully engineered blend of visual elegance and sonic immersion, setting new trends in the industry.

This TV is designed to be both a centerpiece in your living room and a remarkable piece of home décor. The side-surround array speaker system offers richly layered sound, enhancing your viewing experience with its authentic audio delivery. Even amidst intense competition, Hisense remains focused on leading the way in audio-visual technology, offering consumers a premium experience that underscores its commitment to quality and innovation.

Surge S32 by Hero Motocorp

The Surge S32 by Hero MotoCorp is an innovative electric vehicle that effortlessly shifts between a two-wheeler and a three-wheeler, adapting to your mobility needs with ease. Drawing inspiration from a warrior’s helmet, the design features a striking front fascia enhanced by a sleek piano black finish with silver accents, maintaining a balanced and robust aesthetic. This versatile vehicle not only embodies style but also fulfills the promise of eco-friendly, multipurpose driving.

The exterior flaunts sleek lines and vibrant color options, while the interior provides a minimalist yet luxurious feel, emphasizing comfort and elegance. Equipped with cutting-edge automated controls and sensors, the Surge S32 prioritizes safety on every journey. Its flexible design aims to reduce road congestion by serving multiple purposes in one vehicle. With over 50 patents filed, Hero MotoCorp has developed the AMSEP® platform, a scalable solution supporting a range of vehicle types from load carriers to passenger and utility vehicles, underscoring the Surge S32’s blend of style and functionality in the electric vehicle landscape.

Ventete aH-1 Cycle Helmet by Ventente Limited (Luminary Winner)

Ventete reimagines head protection with the aH-1 Cycle Helmet, an elegant fusion of functionality and innovation inspired by origami. Foregoing traditional foam, this inflatable, micro-collapsible helmet is designed for the modern urban traveler who values spontaneity as much as safety. In a striking shift away from half a century of conventional helmet materials, the Ventete aH-1 makes carrying a helmet as easy as pocketing a paperback. With a pneumatic structural design secured by 15 global patents, this helmet deflates to less than 3.5 cm. Inflation takes just 30 seconds with its compact USB-C pump, seamlessly integrating convenience into your daily ride.

Yet, the aH-1 is about more than just portability; it excels in comfort and safety. Unlike foam helmets, its unique chambered construction allows air to flow freely, providing superior cooling. Tests by the Swiss Federal Lab highlight its exceptional thermal comfort, rivaling the feeling of riding bareheaded. Safety isn’t an afterthought—it’s engineered in. Developed over nearly a decade by skilled architects and engineers, the Ventete aH-1 not only meets CE/UKCA safety standards but also shines in tests at HeadLab, Imperial College London, where its enhanced protection against rotational impacts places it at the forefront of helmet technology. Crafted in Switzerland, this helmet embodies a new era of quality and innovation in urban cycling.

Click here to view more Award-winning designs from the Red Dot Award: Design Concept

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Mark your calendars: from November 6-9, the vibrant city of Mumbai will transform into a hub of international design creativity with the arrival of Design Mumbai 2024. Set against the lush backdrop of Jio World Garden, this event is India’s first international contemporary design show. If you’re into cutting-edge lighting concepts and meticulously crafted furniture or want to glimpse the future of design, this is where you’ll want to be. Designer to the above picture: Obeetee

Event Dates: 6-9 November 2024.

A Platform for Global and Local Talent

Presented by JSW Paints, the event gives local and international talent a platform to showcase the latest trends in design and craftsmanship. Expect a mix of the finest independent Indian designers alongside global icons, curated into a four-day showcase that brings a unique flavor of creativity to the heart of Mumbai. From installations by JSW Paints to a look at Royal Enfield’s latest take on the Classic 350, Design Mumbai is shaping up to be a must-visit for anyone passionate about creativity.

JSW Paints’ involvement as the Presenting Partner of Design Mumbai brings an added visual spectacle. AS Sundaresan, Joint MD & CEO of JSW Paints, shared, “At JSW Paints, innovation and ‘Think Beautiful’ is at the heart of everything we do. We’re delighted to present Design Mumbai 2024, which will transform Jio World Garden into a vibrant celebration of colour and creativity.” Their participation aims to create a visually inspiring event, encouraging everyone to reimagine their spaces boldly and beautifully.

Designer: andblack

Highlights and Exhibitors

Co-founder Ian Rudge describes the event as a milestone for India’s design community. “This event marks a significant milestone for India, offering an international platform unlike anything seen before. We’re bringing a whole host of innovative and pioneering designs to the show, along with specially commissioned installations from key partners such as JSW Paints and Royal Enfield, and exclusive appearances by some of the most recognised names in the industry. At the same time, we’re committed to celebrating India’s rich design and craft heritage.” Visitors can expect specially commissioned installations, exclusive product launches, and a celebration of India’s craft heritage—all curated to reflect the blend of tradition and innovation that defines modern Indian design.

Designer: Poltrona Frau

With names like Poltrona Frau, Richard Hutten, Studio Saar, Fern & Ade, Jaipur Rugs, VIATOV, VitrA, and de Sede participating, there is something for everyone—if you are interested in plush seating, thoughtful color palettes, or eco-conscious craftsmanship.

Designer: de Sede

Special Features and Installations

Design Mumbai promises an engaging array of special features, from award ceremonies to networking events, all aimed at celebrating the best in contemporary design. Exclusive collaborations, such as the concept hospitality space by THE Park Hotels, in partnership with Studio Saar, will provide attendees with a refreshing look at innovative hospitality design.

Designer: Royal Enfield

Royal Enfield will also feature prominently, showcasing its latest Royal Enfield Classic 350, highlighting its design expertise and the craftsmanship that goes into making these iconic motorcycles.

Live Talks and Keynotes

Design Mumbai is also packed with live industry talks and keynotes under the “Design Mumbai: Exchange” series. Confirmed speakers include key players from Dezeen, Dutch industrial designer Richard Hutten, and those involved in the $30 billion Mumbai infrastructure overhaul.

Richard Hutten

The discussions will cover the intersection of sustainability, design, and technology, providing insights into the future of the creative industry.

Ian Rudge added, “Our goal with Design Mumbai is to deliver top-tier quality and originality to the architecture and design community. We aim to provide a unique experience and diverse content if attendees are specifying for a private residential project or a commercial venture such as a hotel or restaurant.”

Culinary Experiences

Alongside the visual delights, visitors can indulge in culinary experiences from award-winning restaurants, including a pop-up from Soho House Mumbai.

Designer: Fern & Ade

Imagine exploring exhibits ranging from upcycled cotton tapestries by Morii Design to the latest Danish collections by Fern & Ade—all while enjoying a high-end dining experience.

Innovative and Sustainable Design

Innovation is a core theme of the event, which showcases creativity and sustainability, from VitrA’s recycled ceramic washbasins to VIATOV’s plexiglass mirrored art pieces.

Designer: Vitra

Visitors will also find inventive pieces from AKFD Studio, known for its unique lighting designs incorporating traditional Indian craftsmanship, and Studio Avni’s work, which experiments with materials like silicone and discarded silk saris.

Designer: Viatov Design

Craft Heritage and Modern Classics

Expect to see bold, modern pieces from the FAZO Project, which utilizes traditional carpet weaving techniques. Loco Design will present collections that blend Indian heritage with modern technology, while Shailesh Rajput Studio will exhibit art-inspired lighting pieces using aluminum, brass, and clay.

Designer: Loco Design

Loco Design’s efforts to blend heritage craftsmanship with modern aesthetics aim to redefine contemporary Indian design on a global scale. Under brands like Madheke, Pintark, and Taamaa, their new collections represent a convergence of Indian heritage and international practices, creating an engaging narrative for the audience.

Luxury Meets Modern Architecture

The hospitality space designed by THE Park Hotels in collaboration with Studio Saar offers a glimpse of luxury paired seamlessly with modern architecture.

Designer: Studio Saar

With exhibitors like Technogym, Timothy Oulton, Hästens, Michael Young, and Boss Design, Design Mumbai promises something to inspire all design enthusiasts.

Artful Forms and Everyday Simplicity

Other notable names include Seoul-based VIATOV, which presents mirrored objects, and Esvee Atelier, known for its functional art that enhances living spaces.

Studio Avni will also display its Hybrid series of stitched metal light pieces alongside projects like the Garland series, which are made from discarded silk saris.

Designer: Esvee Atelier

Esvee Atelier is set to introduce the VAV coffee table, inspired by Indian stepwells, and the Maya vanity dresser, which turns everyday routines into elegant rituals and embodies the spirit of thoughtful, functional design.

Design Mumbai is set to establish itself as a yearly pilgrimage for lovers of design—capturing the creative energy of India and ingenuity from around the world. Design Mumbai is also collaborating with the Association of Designers of India’s Mumbai Chapter, who is helping them curate speakers and building engagement with the design community. The creative pulse of Mumbai is about to get even stronger!

Event Dates: 6-9 November 2024.

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The Braun Prize, first introduced in 1968, is an internationally renowned design competition that celebrates the power of innovation and craftsmanship in industrial design. Braun, the German design powerhouse behind the prize, has long been synonymous with iconic, minimalist, sensible design. Known for its clean lines, functional aesthetics, and products that marry form with function, Braun has shaped the landscape of product design for decades. Its influence is deeply rooted in the design world, inspiring generations of designers to prioritize simplicity, utility, and timelessness. With a rich legacy in creating everything from shavers to radios, Braun’s dedication to design excellence extends to the Braun Prize, which has become a benchmark for recognizing creative talent across the globe.

A key element that underscores the significance of the Braun Prize is its distinguished jury, which has, in the past, included design legends like Dieter Rams, Braun’s former Head of Design. Rams, one of the most influential figures in modern design, chaired the competition for several years, bringing his renowned “less, but better” philosophy to the forefront. Other notable figures, such as Peter Schneider and Dr. Fritz Eichler, have also shaped the competition with their expertise. This tradition continues in 2024 under the leadership of Prof. Oliver Grabes, Braun’s current Head of Design, ensuring the competition maintains its high standards of evaluating innovative ideas that fuse practicality with creativity.

For the 2024 edition, under the theme “Ideas to Keep,” Braun invites designers and inventors to participate by submitting projects that highlight both timeless design principles and forward-thinking solutions. Open to students and young professionals globally and held once every 2-3 years, participants have the chance to showcase their work on an international stage and compete for a prize pool totaling $50,000 USD. Designers can submit their entries via the Braun Prize platform, or if you’re looking for inspiration, scroll down to take a look at some Braun Prize winners from the previous edition.

Click Here to Submit Now. Deadline: 14th October 2024.

Braun Prize 2021 Winners

Drilling Targeting Systems (DTS) by Mehmet Mehmetalioglu (Student)

Mehmet Mehmetalioglu’s Drilling Targeting Systems (DTS) is setting a new standard in aerospace assembly. With the surge in aircraft production, DTS provides a much-needed solution for the intricate task of joining fuselage and ribs, enhancing workflows and reducing the need for highly skilled labor. The system employs ultrasonic technology in its modular target unit to accurately locate drilling points, while the drilling unit performs the task with precision, ensuring the surface remains undamaged. This innovation not only minimizes human error but also improves safety in aircraft manufacturing. Juror Stefan Schamberg commends the DTS for its intelligent design, top-notch prototyping, and its potential to elevate industry standards, underscoring Mehmetalioglu’s dedication to meticulous craftsmanship and forward-thinking solutions.

PAPILIO Wind Powered Street Light by Tobias Trübenbacher (Student)

Tobias Trübenbacher’s innovative street light, PAPILIO, addresses the escalating issue of light pollution and energy consumption. As our cities grow taller and windier, so do the environmental challenges we face, including the 6% annual increase in artificial light worldwide. PAPILIO tackles these problems head-on with a Savonius wind rotor that generates its own electricity, significantly reducing CO2 emissions from public lighting. Designed to be both eco-friendly and effective, PAPILIO features a full-cut-off light that directs illumination downward, significantly decreasing its impact on insects and the environment. An infrared sensor ensures the light activates only when necessary, further minimizing unnecessary illumination. Juror Johanna Schoemaker admires the balanced design, highlighting the way the wind turbines’ graceful movement adds an aesthetic element reminiscent of a simple paper windmill. PAPILIO not only offers a functional solution but also enriches public spaces both day and night, making energy generation an elegant spectacle.

RUEI-01 Robotically Recyclable Shoe by Maxwell Ashford (Student)

Maxwell Ashford’s RUEI-01 presents an innovative approach to shoe recycling, solving a challenging problem with precision and creativity. Unlike traditional recycling methods that struggle with mixed materials, RUEI-01 is a multi-material shoe designed for robotic disassembly. By embedding digital information directly into the shoe—including robotic g.code instructions and detailed material data—robots can separate and recycle each component accurately. This method ensures the production of high-quality recycled materials that can compete with new ones, significantly reducing waste and environmental impact from material extraction and production. Juror Sukwoo Lee praises the project’s forward-thinking solution and its practical execution, highlighting the impressive use of seam structures for robotic recycling and the robust presentation of research and prototypes. RUEI-01 exemplifies how contemporary tools and thoughtful design can revolutionize recycling practices, maintaining the durability and functionality of multi-material shoes while addressing pressing environmental concerns.

CANNE Self-directed CPR Learning Experience by Shuai Li (Student)

Shuai Li’s CANNE redefines CPR training with a self-directed, cost-effective solution tailored for developing countries. With more than 550,000 sudden cardiac deaths annually in China and a dismal less-than-1% out-of-hospital survival rate, CANNE addresses the urgent need for accessible and engaging CPR training. This innovative kit, made from corrugated cardboard, allows individuals to practice CPR independently using a smartphone app that leverages AR technology. The app offers real-time feedback through the phone’s camera and microphone, guiding users in identifying cardiac arrest, performing chest compressions, and proper ventilation. By making CPR training affordable, portable, and user-friendly, CANNE breaks down barriers related to cost, availability of qualified instructors, and motivation. Juror Li Ning Ning commends CANNE for its ingenious combination of common materials and sensor technology, highlighting its potential to boost CPR course participation and save lives. CANNE’s practical approach could significantly enhance public health by increasing out-of-hospital cardiac arrest survival rates, particularly in regions where traditional CPR training is challenging to access.

LIDfree Origami Cup by Chia Chun Chuang and Pei Chun Hsueh (Young Creatives)

LIDfree, the ingenious creation by Chia Chun Chuang and Pei Chun Hsueh, tackles the escalating plastic waste problem exacerbated by the pandemic. In a world where plastic lid usage is rampant, LIDfree offers a sustainable alternative by merging the cup and lid into one cohesive unit using the art of origami. This revolutionary design features a hexagonal folding rim that collapses inward, eliminating the need for a separate plastic lid. Users can open and close the cup quickly, prevent spills, and enjoy the convenience of an eco-friendly design that accommodates straws of any width. By maintaining the familiar feel of a typical takeaway cup, LIDfree enhances user experience while encouraging eco-friendly habits. Made from a single type of paper, it simplifies the recycling process, allowing easy separation and flattening without mess. Juror applause highlights its stackability, ease of use, and clever incorporation of functionalities—traits that embody simplicity, elegance, and practical ingenuity. LIDfree proves that sustainable design can seamlessly integrate into daily life, supporting environmental protection effortlessly even during challenging times.

MonkeyBots IoT Robots by Georg Kloeck and Mohammad Moradi

MonkeyBots, created by Georg Kloeck and Mohammad Moradi, revolutionizes the way we interact with digital notifications by transforming them into physical actions. These small IoT robots help liberate us from constant screen time by performing tangible tasks like clicking switches, rattling pill containers, or striking a gong to remind us of important activities. Designed to be secure and unobtrusive, MonkeyBots connect to your phone via Bluetooth-Low-Energy without microphones or cameras, ensuring privacy. They feature sustainably 3D printed add-ons that can grip, push, hit, or click almost anything, making them versatile tools for everyday routines. The design, compatible with LEGO and available in organic PLA or recycled PET, seamlessly blends into various environments. The jury applauded MonkeyBots for their ability to bring digital notifications into the physical world in a playful and creative way, offering endless possibilities without compromising user privacy.

Click Here to Submit Now. Deadline: 14th October 2024.

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As part of the iconic London Design Festival, Material Matters 2024 promises to be a cornerstone for material enthusiasts, designers, and innovators. Set in the historic Bargehouse, Oxo Tower Wharf, from September 18-21, the fair will spotlight groundbreaking work across material disciplines, showcasing how innovative thinking can shape the future of sustainable design. This year’s lineup includes some of the most compelling projects and collaborations that fuse creativity with sustainability. Let’s take a closer look at five standout exhibitions that demonstrate the show’s thematic diversity and material brilliance.

1. Locally Grown: Harnessing Human Hair as a Material

In an unexpected and captivating twist, Studio Sanne Visser is showcasing Locally Grown, an installation that explores human hair as a regenerative material. Visser, known for pushing the boundaries of material design, has transformed what many consider waste into a valuable resource. Visitors can not only experience the journey from haircuts to yarn but can even contribute to the process by offering their own hair for transformation.

Hair spun into yarn, is showcased in products like ropes and even wearable garmets like hats, developed in collaboration with various designers. This project underscores the versatility of unconventional materials and opens up conversations around waste and resourcefulness. The exhibit is backed by the Dutch Embassy and reflects a strong commitment to material reuse​.

2. Suru: Blending Craftsmanship with Circular Innovation

Barcelona-based Suru is a standout in Room 12, bringing a fusion of local craftsmanship and a commitment to sustainable living. The brand’s philosophy is rooted in circular innovation, with a focus on integrating recycled and biodegradable materials into its modular furniture and lighting designs. At Material Matters 2024, Suru is launching new products, including the Carta Lamp 001, a portable light made from a single sheet of paper that can be disassembled easily for repair, embodying their lifecycle approach. They’re also showcasing established pieces like the Niu Armchair 001, crafted from ethically sourced, VOC-free beech wood and featuring a cushion made from recycled coconut shells and PET fabric. Each piece exemplifies Suru’s dedication to sustainability without compromising on style or functionality​​.

3. BIOTEXFUTURE: Revolutionizing Textiles Through Biotechnology

The future of textiles is bio-based, and nowhere is this more evident than in Fibre Futures, an exhibition led by BIOTEXFUTURE in collaboration with Adidas and RWTH Aachen University. This installation delves into innovations in bio-manufacturing and alternative resource streams, with a focus on high-performance textiles that could revolutionize the fashion and sportswear industries. The combination of scientific research and cutting-edge design makes this one of the more technical but no less intriguing exhibits​.

This exhibit offers visitors a look into how biotechnology is shaping the next generation of materials, proving that high-performance doesn’t have to come at the expense of sustainability. Expect alternative fibers and spinning techniques that push the boundaries of what textiles can do.

4. Rootfull: Nature’s Hidden Potential

Rootfull, an innovative project turning to nature’s unseen power, focuses on creating sustainable designs using tree roots. This unique approach explores the raw beauty and versatility of roots in product design. At Material Matters 2024, Rootfull showcases a range of lamps crafted from roots, highlighting their natural durability and the aesthetic appeal of light leaking through the fibrous network of roots. By using a material that’s typically overlooked or discarded, Rootfull not only opens up new possibilities for biomaterials but also taps into the innate connection between nature and design, offering a fresh perspective on how we can reimagine organic waste as functional, beautiful art.

5. Mushlume Lighting: Lighting the Way with Mycelium

Continuing the biomaterials theme, Mushlume Lighting by Danielle Trofe uses mycelium—the root structure of mushrooms—to create an eco-friendly line of lighting. Each piece is biofabricated, grown rather than made, illustrating the potential of mycelium as a scalable, renewable material. Trofe’s work is an outstanding example of how fungi can move beyond the realm of the kitchen and into the living room, lighting up spaces with minimal environmental impact​.

6. Peel Fabric Lamp: Illuminating Waste with Alkesh Parmar

Designer and researcher Alkesh Parmar has long been known for his innovative use of materials often regarded as waste, particularly citrus peel. At Material Matters 2024, Parmar showcases his Peel Fabric Lamp, an extraordinary piece crafted from orange peel, a material that behaves much like leather when treated. Parmar’s practice of blending craft and critical design questions the impact of globalization and champions local, sustainable materials. His unique approach not only transforms everyday waste into functional art but also pushes the boundaries of material innovation. The Peel Fabric Lamp exemplifies his belief in the potential of overlooked resources, offering a striking visual reminder of how waste can be reimagined into objects of beauty and practicality.

Material Matters 2024 offers a breathtaking view of the future, where materials are no longer just functional but integral to the conversation on sustainability and innovation. Whether it’s furniture crafted from orange peel, lighting grown from mushrooms, or yarn spun from human hair, the exhibits at this year’s fair challenge us to rethink our relationships with the materials that surround us. With each installation, visitors are reminded that the future of design doesn’t just lie in creating new products, but in reimagining the materials that shape them.

Expect the unexpected at Material Matters 2024—and don’t be surprised if you leave with a new appreciation for the chair you sit on or the light that illuminates your room.

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One of the hardest emotions for people to deal with is shame. We are afraid to admit it, confront it, and figure out a way to live with it. The healthiest way would be to talk to someone especially professionals. But if you’re not yet ready to take that step and you’re in London until December, there’s a pretty interesting art installation that may help you have a cathartic experience with your secret shame.

Designer: Annie Frost Nicholson

The Juicy Booth is an installation at the Coal Drops Yard as part of London Design Week which lets people have a 10-minute multi-media confessional session. Created in collaboration with K67 Berlin (a company that restores historical K67 booths) and The Loss Project (a social enterprise that creates spaces for communities to deal with grief and loss), artist Annie Frost Nicholson wanted to have a space for people to release their shame and have a quick healing session through colour, light, and music.

When you enter the booth, a refurbished K67 booth, you’ll see a retro 80’s keyboard where you can type out the thing that you’re currently ashamed of. Your confession will be spelled out on an LED monitor for your eyes only of course (unless you brought someone in with you there). Based on what particular emotion you’re dealing with, the system maps it out with their “carefully conceived colour spectrum”. You then get a light and sound show that will hopefully take you on a cathartic journey.

The whole experience will take you just 10 minutes but hopefully that is enough to start you on a journey to healing. You will also get to scan and access additional resources that can support you after your Juicy Booth session. The installation will be there until December 9 so if you have the chance to visit it and have a mini-confessional session, go ahead and do it.

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There are plenty of wise sayings about how the past guides our future, and nowhere is that perhaps more evident than in the design and fashion industries. “Retro” might seem like a passing fad, but this isn’t the first time that the design pendulum has swung back to the past for inspiration. This homage to the designs of our predecessors may be the guiding spirit behind famed London-based design studio BLOND’s ARTEFACT initiative, taking objects that are no longer in production or even in use and reimagining them in a completely different light. At the London Design Festival this week, the BLOND LABORATORY challenged a stellar roster of international designers and studios with this quest, and here are the responses that give these “offline” products a new kind of life in this modern world.

Designer: BLOND

From Us With Love: Mallet Flashlight

Opening wine bottles today is as easy as turning a cap, but true connoisseurs still prefer the classic cork that is just as difficult to remove as in the old days. Of course, we have it easy today as well with more modern tools, but the traditional corkscrew and its menacing metal spiral has always been the weapon of choice for that task. Even older designs used a single bent rod of metal, which is probably not as comfortable to use as those with wooden or even plastic handles.

Designer: From Us with Love

Turning something crude into an art object is the feat that From Us With Love accomplished. Taking a single rod of metal, flattening its top, and cutting out a hole in the middle resulted in a simple yet functional bottle opener. It embraces the functional minimalism of the old-school corkscrew and imbibed with the elegance of modern tools, a true retro design if there ever was one.

Hirotaka Tako: Marking Gauge Ikebana Lamp

We enjoy a lot of convenient tools today that make it trivial to do things like measuring pieces of wood. In the old days before measuring tapes and meters, however, people had to make use of rather complicated tools that involved a wooden rod sliding inside a a block. This measuring gauge, though crude, created a rather interesting form that was not that different from a piece of art, which is exactly what inspired this rather geometric lamp design.

Designer: Hirotaka Tako

Taking inspiration from both this outdated tool as well as a Japanese art of floral arrangement, Hirotaka Tako designed a table lamp that similarly used the concept of inserting a long thin stick into something bigger. He likened the wooden rods to a flower stem inside a vase, exactly like an Ikebana arrangement. The result is a table lamp that is both functional and artistic, inspired by a tool that was anything but.

James Melia: Timber Basket Pendant Lamp

We take for granted the materials used to create modern products these days, not to mention the methods for making them. Today, we have machines that can print almost any shape imaginable, but past generations had to do things by hand, using stubborn and difficult materials. The rope patterns used to keep a timber basket together, for example, offered not only structural stability but also an interesting visual, one that can add a bit of a flair to an otherwise normal object.

Designer: James Melia

James Melia takes a hanging lamp’s power cord and stitches it along the length of its shade, creating a row of diagonal stripes that turns a plain lamp into an art object. That same cord is used to actually hang the lamp from a ceiling, reducing the number of parts involved in designing the lamp and creating a simpler and more sustainable design.

John Tree and Neal Feay: Tea Ladle Turntable

The Japanese are famed for their minimalist tools which are an art form in their own right. A simple scoop for tea powder, for example, takes the form of a bamboo ladle with a distinct charm. Though today’s tea lovers will probably use different tools, this traditional object still remains a staple in Japanese culture today as well as practices that recreate it. To some extent, it’s almost like the venerable turntable that has seen a renaissance and is getting some use even today.

Designer: John Tree x Neal Feay

This optical turntable takes that delicate-looking bamboo tea ladle and transforms it into a turntable arm that preserves that spirit of gentleness. Rather than using a sharp pin to read the grooves of the platter, it uses light to avoid any physical contact and help preserve the vinyl material. It’s a gentle and delicate spin on a classic retro design, no pun intended.

Jon Marshall: Whisk Candelabra

Today’s whisks are light, compact, and handy tools that use a few loops of bendable wire or plastic, a design that’s so far removed from the coiling iron wires of much older versions of the kitchen tool. Looking more like springs or even weapons, this antique whisk form isn’t very efficient at what it’s meant to do, but it admittedly looks novel and interesting to our modern eyes.

Designer: Jon Marshall

It might not make scrambled eggs, but this candelabra will definitely bring a bit of delight to your dinner table. The spiraling form of the base and the tight coils of the candle holder make for an interesting visual, but it’s when the candles are lit and the shadows dance that this rather luxurious-looking light fixture truly comes alive.

Julie Richoz: Balance Bird Balancing Lighter

Kids tend to find science and math lessons boring until they encounter puzzles and feats that really blow their minds. Something as simple as a perfectly balanced eagle held up only by its beak is sure to pique curiosity, even those of adults. This ingeniously disguised pendulum is not an uncommon toy or desk ornament, but the same principles can be used to the same effect for other objects, including more utilitarian ones.

Designer: Julie Richoz

A lighter standing only one of its corners is definitely going to make you the talk of the party, and it provides not only an entertaining piece of decoration but also practical use. It will be easy to see if the lighter is missing from its base, and people who use it will be more likely to put it back on its perch just to marvel at its balancing act. It’s a very simple twist to a simple object but one that has a nontrivial effect on those who see it, all thanks to some inspiration from old objects we have taken for granted.

Maddalena Casadei: Mallet Flashlight

Most of us who have done any sort of handiwork may have used a hammer at one point in time or another. There are different kinds of hammers, of course, and one such type is the mallet. Often made with a heavy head to pound things flat, some old-school mallets would reverse the typical hammer design and use a steel rod handle with a wooden block for the head.

Designer: Maddalena Casadei

Maddalena Casadei took that raw-looking industrial metal handle to turn it into a cylindrical flashlight with similarly brutalist aesthetics. Instead of the wooden head, it has a small removable cone that serves as a diffuser for the light. On the opposite end is a flattened section with a hook that serves the same purpose as the hammer from decades ago: hanging the tool from walls or rods. It’s a rather interesting depiction of a flashlight that sheds off all the sleek and luxurious designs of its modern equivalents, embracing the utilitarian character of its inspiration.

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This year we got a chance to experience the London Design Festival! Currently, in its 22nd edition, the festival takes place on 14-22 September in London. It celebrates London as a design capital of the world while presenting a series of exhibitions and installations that explore design through different mediums such as light, materials, sounds, and more. Designers and creators from around the world showcased dynamic and fluid installations such as ‘Light in Motion’, where light was explored, or the Materials Matter fair where the importance of materials, and how they impact us was focused upon. We’ve picked out the Top 5 installations and designs from the London Design Festival that we loved experiencing. We hope you love them too!

1. Light In Motion by Acrylicize

This stunning inaugural exhibition by Acrylicize is called ‘Light in Motion’ and it is running at the London Design Festival this year. It celebrates the fluid and dynamic interplay of light and form, diving deep into its bond with space, time, and movement. Twelve artists, designers, and engineers showcased their work, manipulating light to adopt a sculptural form, allowing it to move across walls and rejuvenate spaces. The displayed works are an effort to bring focus on the quality of light, and how it can be moved and perceived. “Each practitioner has approached light and motion from a unique perspective and with a different relationship to time. Yet there is a sense of continuity between the works,” said the curators.

The installation ‘10,000 Tiny Suns’ by Generative Optics experiments with light as a medium and subject. It includes an intricate and impressive assembly of compound lenses, interconnected through a fibrous framework, which ushers and manipulates the path of light. It is made using advanced 3D-printed lenses, caustics, and algorithms. Designed by Relative Distance, a London-based studio, Phase is a long-form timepiece that showcases the details of the moon’s surface, via an artful use of light and glass. The surreal installation replicates natural moonlight, forming a unique and immersive experience.

2. Design You Can Feel by ASUS

ASUS’s Design You Can Feel Exhibition is open to the public till 22nd September, and it is one to check out. Centered around the material ‘Ceraluminum’, which was used by ASUS to develop its Zenbook laptops, the exhibit explores not only this material but also intricate topics such as craftsmanship and artificial intelligence. Ceraluminum boasts a light and durable tactility, merging the qualities of both aluminum and ceramics, making it a one-of-a-kind material with a surreal nature-inspired aesthetic. Six product and industrial design studios were selected to express the various qualities of Ceraluminum through furniture, lighting, and installation design.

British designer Giles Miller built a stunning floor-to-ceiling sensory installation comprising 1800 pieces. Thick timber petals were positioned astonishingly and artfully, allowing them to rotate, and resulting in seamless rhythmic patterns. South Korean design studio Niceworkshop created the Aluminum Formwork (AL-FORM) series – a collection of solid seating and tables built from old skyscraper formwork. The collection’s lounge chair was ceramized by ASUS, making it one of the first products to feature Ceraluminum, besides the Zenbook laptops.

3. SPECTRUM by 2LG Studio

Jordan Cluroe and Russell Whitehead teamed up to form the 2LG studio, and this year they’re completing 10 years of collaboration. To celebrate their years of creation and innovation together, they partnered up with the London-based hotel Hart Shoreditch to present the immersive exhibition ‘SPECTRUM’. Through Spectrum they are creating a sensory journey within the hotel, setting up a series of vibrant and colorful interventions. They are “exploring human and personal connections to color, evoking memories and inviting conversations.”

The hotel is based on a theme of ‘joyful minimalism’, and various products have been reimagined intriguingly and colorfully. The creations include a reincarnation of a rug by Floor Story in the form of a large-scale moiré using AI filters in a rainbow spectrum. Other pieces involve an eight-minute soundscape written with the composer Quentin LaChapele and a wraparound video piece by digital artist Lucy Hardcastle.

4. Material Matters

50 acclaimed brands, designers, makers, and organizations have contributed to creating the Material Matters fair on the iconic Bargehouse, Oxo Tower Wharf on London’s Southbank. The fair attempts to celebrate the significance of materials, and the myriad ways in which they shape and affect our lives. It includes five floors flooded with products, installations, curated exhibitor spaces, and an extensive talks program too. It dwells deeply into how the design world can address problems regarding the circular economy, and how material intelligence makes a difference to our lives.

The FIBER FUTURES exhibition showcases eight different approaches to alternative resource streams, innovative spinning techniques, and bio-manufacturing, as well as opening up new pathways for real change. It is led by Adidas AG and RWTH Aachen University. The Locally Grown installation is an interactive one, and it explores hair as a new material, highlighting its great potential. Led by Studio Sanne Visser, this project focuses on the development of human hair as a super-scale regenerative material.

5. Pavilions of Wonder by Nina Tolstrup

Nina Tolstrup designed and set up three immersive pavilions on the Strand as a part of the London Design Festival. The impressive structures are inspired by Barbie Dreamhouses and Palm Springs’ mid-century modern architecture. She teamed up with Barbie creators Mattel and the tourism agency Visit Greater Palm Springs to bring the installation to life. Named the Pavilions of Wonder, the pavilions are a tribute to the whimsical and vibrant design of Barbie’s Dreamhouse, while nudging at the desert modernism of Palm Spring’s architectural style.

The Playful Pauses Pavilion is inspired by the Palm Springs City Hall and Tramway Gas Station. The gas station was taken as a source of inspiration for previous Barbie Dreamhouses as well. It features a simple metal grid, and a pointed roof, accentuated by kaleidoscopic circles which have been crafted from painted drainage tubes. The Design Stories Pavilion is made from CNC-cut plywood connected by a metal scaffold grid system that can be disassembled when needed. The structure merges the design philosophy of straight swimming pools with the geometric signage typically seen in Palm Springs.

The post Exploring The Best Of London Design Festival 2024: Top 5 Exhibits You Can’t Miss first appeared on Yanko Design.

ASUS has long been recognized for its forward-thinking approach to technological innovation. With Ceraluminum, the company shifts focus, moving beyond performance metrics and engaging users on a sensory and emotional level. At the “Design You Can Feel” exhibition during the London Design Festival, ASUS presented this unique material in an artistic context, blending technology, material science, and human-centered design. This exhibition explored how technology doesn’t need to feel cold or distant but can foster emotional engagement and tactile experiences that draw users in.

Designer: ASUS

At the core of this shift is Ceraluminum, a revolutionary material that merges aluminum’s structural benefits with the tactile qualities of ceramic. With its four-year development, this material represents a significant leap forward in the functionality and aesthetics of ASUS’s products. Ceraluminum invites users to touch, explore, and experience their devices in a more intimate, human-centered way. It’s a breakthrough that combines art and technology, reshaping how we engage with our tech.

Ceraluminum: A Material with Presence

Ceraluminum reflects ASUS’s focus on creating materials that enhance functionality while fostering a more personal and tactile user experience. From my interpretation of their design philosophy, ASUS aims to develop materials that resonate emotionally with users, evoking a sense of warmth and connection—without suggesting metaphysical attributes like having a soul. Unlike traditional metals that feel cold and impersonal, Ceraluminum exudes warmth and tactility. It absorbs light and reduces glare while offering a textured, matte finish that invites interaction. Chief Design Officer Mitch Yang elaborated on the significance of this during the panel discussions, emphasizing that the texture and feel of Ceraluminum are key to fostering a deeper connection between users and their devices.

Developed through a unique micro-arc oxidation (MAO) process, Ceraluminum begins as lightweight aluminum and is transformed into a hybrid material through a high-voltage plasma discharge. This creates a ceramic oxide layer that maintains aluminum’s strength and lightness but offers ceramic’s hardness, scratch resistance, and tactile warmth. This unique combination gives ASUS’s devices a distinctive feel and presence, setting them apart from the sea of cold, reflective metal gadgets on the market.

Yang explained further, “Ceraluminum allows us to create devices that don’t just look good but feel meaningful to the touch. It changes how users interact with their technology, inviting them to explore the material with their hands, not just their eyes.”

SUSA: Embodying Calm Technology

At the center of the “Design You Can Feel” exhibition was SUSA, a conceptual AI-powered device designed by London-based Future Facility. This device embodies ASUS’s philosophy of calm technology, where tech is designed to be intuitive, unobtrusive, and calming rather than overstimulating. Encased entirely in Ceraluminum, SUSA represents the potential of this material to facilitate more mindful, tactile interactions with technology.

SUSA’s design is deliberately minimalist. It features a perforated screen that subtly filters its digital display, minimizing distractions while maintaining core functionalities such as photography, navigation, and calls. By encouraging users to engage with the physical object rather than becoming consumed by the screen, SUSA promotes a more intentional relationship with technology.

Leo Leitner, a designer at Future Facility, explained this during the panel discussion, stating, “SUSA is a reflection of how we can rethink the role of digital devices in our lives. By using Ceraluminum, we create a product that feels more natural and calming. It’s about slowing down, encouraging the user to focus on what’s important rather than being overwhelmed by constant notifications.”

Kim Colin, also from Future Facility, expanded on this by adding, “The tactile nature of Ceraluminum allowed us to create a product that feels inviting and grounded. It shifts the focus from what the device can do to how it feels when used. That tactile warmth is crucial to fostering a more mindful, human-centric interaction.”

SUSA is more than a concept. It represents a future where technology is integrated into our lives in ways that promote mental well-being, offering a calming influence rather than a constant source of overstimulation.

Collaborations with Global Designers: Ceraluminum Through the Eyes of Art

The “Design You Can Feel” exhibition also served as a platform for international designers to reinterpret and manipulate Ceraluminum in their own creative ways, showcasing its versatility beyond traditional tech applications. By inviting leading artists and designers to explore the material, ASUS highlighted how Ceraluminum can inspire new forms of user interaction. Each designer’s work emphasized tactile engagement and explored how material science can evoke emotional responses while remaining functional.

Giles Miller Studio (UK) approached Ceraluminum from a design perspective that blurred the lines between industrial application and artistic expression. Miller’s work focused on transforming the surface texture of Ceraluminum, turning it into a canvas for intricate patterns and reliefs. By manipulating its reflective qualities, Miller demonstrated how Ceraluminum could become a material that protects and decorates, elevating everyday technology into something more visually dynamic.

Designer: Giles Miller Studio

The studio used light to reveal hidden details in the material, inviting users to interact with their devices in new ways. Miller explained during the panel that they wanted to capture the subtle shifts in light as users moved their devices, turning a practical surface into an artistic experience. “Ceraluminum gave us the ability to create a surface that changes with the viewer’s movement, transforming the device from an object of utility into something more engaging,” Miller noted. This emphasis on the material’s light-reflecting properties invited deeper emotional engagement, making the device feel more personal.

Natural Material Studio (Denmark) took an organic approach to Ceraluminum, focusing on its ability to mimic natural textures. Their contribution aimed to highlight the material’s matte finish and tactile softness, drawing inspiration from natural elements like stone and sand. By working with Ceraluminum’s porosity, they created objects that felt grounded and familiar, offering a contrast to the typically sleek, hard surfaces of most technology.

Designer: Natural Material Studio

The goal was to craft a sensory experience that reminded users of nature. Their work emphasized the tactile qualities of Ceraluminum, offering an experience that felt like the material had been shaped by natural forces rather than human technology. “We wanted the object to feel as if it had always existed—like a pebble-shaped by the sea,” the studio shared during the exhibit. Their designs provided a sense of calm, reinforcing ASUS’s broader mission to create technology that connects users to the natural world while still harnessing advanced materials.

Nice Workshop (South Korea) explored the application of Ceraluminum in larger-scale objects with their “Aluminium Formwork Series”. Moving away from electronics, they demonstrated how Ceraluminum could be used in furniture design by applying ASUS’s ceramicization process to aluminum forms. This process resulted in furniture pieces with a textured, stone-like finish that invited touch and interaction. Founder Hyunseog Oh said their goal was to make aluminum—a traditionally cold, hard material—feel softer and more approachable.

Designer: Nice Workshop

Their work showed how Ceraluminum’s unique texture could be adapted to everyday objects, making them more inviting and user-friendly. “We wanted people to feel comfortable interacting with furniture in the same way they interact with their devices,” said Oh. This exploration of Ceraluminum’s versatility in non-tech applications expanded the material’s potential, proving it could enhance electronics and the physical spaces we inhabit.

Fernando Laposse (Mexico) brought a sustainability-focused lens to the exhibition, concentrating on how Ceraluminum could be repurposed and recycled to reduce environmental impact. Known for his work with natural fibers, Laposse saw potential in Ceraluminum’s longevity and durability. He explored how the material could be integrated into sustainable design practices, offering a responsible alternative to more wasteful production methods.

Designer: Fernando Laposse

Laposse’s work aligned with ASUS’s vision for creating long-lasting products that reduce waste and contribute to a circular economy. By focusing on Ceraluminum’s recyclability, he highlighted its potential to contribute to sustainable design efforts. “Ceraluminum’s strength and durability mean it can be repurposed, not discarded, ensuring that our devices leave a smaller environmental footprint,” Laposse explained. His approach resonated with ASUS’s commitment to sustainability, demonstrating that high-tech materials and responsible design can coexist.

Studio Furthermore (UK) embraced a more experimental approach, pushing Ceraluminum’s potential beyond the traditional limits of material design. Their contribution focused on the material’s transformation through ceramicization, exploring how different textures and surface treatments could evoke new tactile experiences. By experimenting with forms and patterns, Studio Furthermore demonstrated how Ceraluminum could serve as a medium for creative exploration, where users could discover new ways to interact with their devices.

Designer: Studio Furthermore

The studio’s work underscored how Ceraluminum is durable and capable of provoking emotional and tactile connections. By emphasizing the material’s sensory qualities, they invited users to engage more profoundly and rigorously with their devices. “We wanted to encourage users to touch and feel their devices, not just see them as tools,” the studio remarked. Through their experimental processes, Studio Furthermore showcased how Ceraluminum could foster more profound, more meaningful interactions between users and the objects they use every day.

Final Thoughts: A Sensory Future for Technology and Design

ASUS’s “Design You Can Feel” exhibition and the development of Ceraluminum represent a forward-thinking approach to how technology integrates into our lives. With this material, ASUS bridges the gap between the tactile and the technological, offering users an experience that goes beyond performance to touch the soul of design.

Ceraluminum’s durability, tactile warmth, and matte finish go beyond aesthetic choices; they reshape how we interact with devices moving forward. This material reflects ASUS’s commitment to creating devices that resonate emotionally, offering comfort, engagement, and fostering a deeper connection.

Through collaborations with global designers, ASUS has highlighted the potential of Ceraluminum to transform not just technology but how we live, interact, and engage with the objects around us. As we move forward, Ceraluminum is poised to lead a new design wave that prioritizes emotional resonance, environmental responsibility, and the fusion of art with cutting-edge material science.

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